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By Goldmine staff Albert King, Donna Summer, Heart, Public Enemy, Randy Newman and Rush form the Rock and Roll Hall of Fame’s Class of 2013. They were among the 15 nominees representing music from the blues, disco, hard rock, soul, rap, psychedelic rock, prog and soul genres. The Rock Hall provided basic biographies for all of the nominees; we added in the discographies, band member names, chart information and some fun facts (because, hey, being nominated to be in the Rock Hall should be at least a little bit fun!) Inductees appear first; other nominees follow. Class of 2013: Heart. Download Free At Tabari Tafsir Pdf Software more. Photo courtesy Rock and Roll Hall of Fame. Original Members: Steve Fossen (bass); Roger Fisher (guitar); Mike Fisher (guitar); Ann Wilson (vocals); Nancy Wilson (guitar); Howard Leese (guitar, keyboards); Michael Derosier (drums). Later Members: Mark Andes (bass); Denny Carmassi (drums); Fernando Saunders (bass); Denny Fongheiser (drums).

Biography: With a mix of hard rock riffs and lush, driving harmonies, Heart emerged from the Pacific Northwest with one of the most original sounds of the 1970s. Worship Matters Bob Kauflin Ebook Reader. Photo courtesy Rock and Roll Hall of Fame. Biography: He was born in the same fervid Mississippi Delta town of Indianola as another king of the blues guitar, B.B. But where B.B. Moved to the blues mecca of Memphis during World War II to establish his reign, Albert King (1923-1992) did not arrive there until more than a decade into his career in 1966. He was signed by Atlantic subsidiary Stax-Volt Records in the era when singles ruled, and he had cut more than a dozen singles for various labels over the previous decade, most notably on King and Bobbin.

His first Stax album was an influential collection that included “Born Under A Bad Sign,” “Crosscut Saw,” “As The Years Go Passing By” and his cover of Ivory Joe Hunter’s “I Almost Lost My Mind,” tracks mostly recorded with Booker T. And the MG’s as studio backup (with the Memphis Horns). King and Freddie King, Albert King was thrust into the Fillmore generation when British acts like Cream and Jimi Hendrix adopted “Born Under A Bad Sign” (written by Booker T and William Bell), which became a rock anthem and a part of the rock and roll lexicon. The younger generation following them also discovered a mother lode of blues in Albert King’s repertoire. In particular, Stevie Ray Vaughan was an avid follower, and as early as 1983, Vaughan was onstage with Albert King in Canada for a set (released 16 years later) that included a 15-minute jam on “Blues At Sunrise.” At Vaughan’s insistence, their paths intersected frequently over the next decade.

From Vaughan, Eric Clapton and Mike Bloomfield to Johnny Winter, Joe Walsh, Derek Trucks and beyond, the influence of Albert King’s husky vocals and his signature Gibson Flying V guitar will live on forever. Selected Discography: “The Big Blues” (1962); “Born Under A Bad Sign” (1967); “Years Gone By” (1969); “Blues For Elvis: Albert King Does the King’s Things” (1970); “Lovejoy” (1971); “The Lost Session” (1971); “I’ll Play The Blues For You” (1972); “I Wanna Get Funky” (1974); “Albert” (1976); “Truckload of Lovin’ (1976); “King Albert” (1977); “The Pinch” (1977); “New Orleans Heat” (1978); “San Francisco ’83” (1983); “I’m In A Phone Booth, Baby” (1984); “Jammed Together” (1988) Billboard Hot 100: “Cold Feet” (No. 67); “Breaking Up Somebody’s Home” (No. 91); Fun Facts: King played guitar guitar left handed, without restringing it, which gave him a distinctive sound. He also taught himself to play guitar and built his own instrument out of a cigar box. He named his signature Gibson Flying V guitar Lucy.

Rosie The Riveter Tools Menu. Class of 2013: Rush. Rush (from left, Geddy Lee, Neil Peart and Alex Lifeson).