This has presumably been a strange and exciting decade to be a member of Depeche Mode: Seven years during which dark, blustery electro-pop has come back as a mainstream force, especially in their native UK, and sometimes in exactly the terms they were supplying it 15 or 20 years ago. They've noticed this, surely. Perhaps it's why, after sidetracking into a minimal, techy sound on 2001's Exciter, they ran right back to blaring, grainy bombast on 2005's Playing the Angel.

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And perhaps it's why, after a solo debut that differentiated itself from DM by putting a guitar up front, singer Dave Gahan has veered back toward the drama you expect of him. Driver Intel R Q965 Q963 Express Chipset Family Download. The problem is that while Hourglass has Gahan sounding a lot more assured and competent as a songwriter, it's also too much what you'd expect of him.

Holed up in a New York studio with Depeche Mode's touring drummer and guitar player, he's constructed a Pro-Tooled set of dark rock grooves and electronic buzzing that won't shock anyone who's heard him or his band since, say, Songs of Faith and Devotion-- it's tasteful, professional, and as sophisticated as you'd expect from veterans. But it's also the kind of rote music that has very little purpose on its own.